Browse Title Index


 
Issue Title
 
Vol 19, No 3 (2013): Live Visuals Back To The Cross-Modal Object: A Look Back At Early Audiovisual Performance Through The Lens Of Objecthood Abstract   PDF
Atau Tanaka
 
Vol 18, No 3 (2012): Touch and Go Biographies and Acknowledgements Abstract   PDF
Touch and Go
 
Vol 18, No 3 (2012): Touch and Go Black Boxes and God-Tricks: an Account of Using Medical Imaging Systems to Photograph Consciousness in the Context of a Digital Arts Practice Abstract   PDF
Eleanor Dare
 
Vol 18, No 2 (2012): Dislocations Borderline Abstract   PDF
Mathias Fuchs
 
Vol 18, No 5 (2012): ISEA2011 Uncontainable Broken Stillness Abstract   PDF
ISEA2011 Istanbul
 
Vol 20, No 1 (2014): Red Art: New Utopias in Data Capitalism Changing the Game: Towards an ”˜Internet of Praxis’ Abstract   PDF
Bill Balaskas
 
Vol 19, No 3 (2013): Live Visuals Choreotopology: Complex Space In Choreography With Real-Time Video Abstract   PDF
Kate Sicchio
 
Vol 19, No 3 (2013): Live Visuals Cinematics and Narratives: Movie Authoring & Design Focused Interaction Abstract   PDF
Mark Chavez, Yun Ke Chang
 
Vol 18, No 3 (2012): Touch and Go Co-Authored Narrative Experience: Affective, Embodied Interaction through Combining the Diachronic with the Synchronistic Abstract   PDF
Carol MacGillivray, Bruno Mathez
 
Vol 17, No 1 (2010): Mish Mash Cognitive Labor, Crowdsourcing, and Cultural History of Human/Machine Assemblages Abstract   PDF
Ayhan Aytes
 
Vol 17, No 1 (2010): Mish Mash Collaborating with the Enemy Abstract   PDF
Shane Mecklenburger
 
Vol 20, No 1 (2014): Red Art: New Utopias in Data Capitalism Commonist Red Art: Blood, Bones, Utopia and Kittens Abstract   PDF
Lanfranco Aceti
 
Vol 20, No 1 (2014): Red Art: New Utopias in Data Capitalism Communism of Capital and Cannibalism of the Common: Notes on the Art of Over-identification Abstract   PDF
Matteo Pasquinelli
 
Vol 19, No 1 (2013): Not Here Not There Connecticity, Augmented Perception of the City + Interview, Statement, Artwork Abstract   PDF
Salvatore Iaconesi, Oriana Persico
 
Vol 20, No 2 (2014): Interference Strategies Contaminated Immersion and Thomas Demand: The Dailies Abstract   PDF
David Eastwood
 
Vol 19, No 4 (2013): Without Sin: Freedom and Taboo in Digital Media Content Osmosis and the Political Economy of Social Media Abstract   PDF
Don Ritter
 
Vol 19, No 4 (2013): Without Sin: Freedom and Taboo in Digital Media Copyright and Digital Art Practice: The ”˜Schizophrenic’ Position of the Digital Artist Abstract   PDF
Smita Kheria
 
Vol 19, No 4 (2013): Without Sin: Freedom and Taboo in Digital Media Curating, Piracy and the Internet Effect Abstract   PDF
Alana Kushnir
 
Vol 19, No 4 (2013): Without Sin: Freedom and Taboo in Digital Media Dancing on the Head of a Sin: Touch, Dance and Taboo Abstract   PDF
Sue Hawksley
 
Vol 19, No 5 (2013): Far and Wide: Nam June Paik Data Materialism in Art Making Abstract   PDF
Tom Schofield
 
Vol 19, No 4 (2013): Without Sin: Freedom and Taboo in Digital Media Differential Surveillance of Students: Encounters with Surveillance/Sousveillance Art as Opportunities for Reform Abstract   PDF
Deborah Burns
 
Vol 19, No 2 (2013): Not Here Not There Part 2 Discovering the Non-Self: The Construction of Language, Trance, and Space + Interview, Statement, Artwork Abstract   PDF
Judson Wright
 
Vol 18, No 5 (2012): ISEA2011 Uncontainable Dislocations Abstract   PDF
ISEA2011 Istanbul
 
Vol 18, No 2 (2012): Dislocations Dislocations: Questions of War, Place, Trauma and Context in the Transmediations of Art on Public Giant Screens Abstract   PDF
Lanfranco Aceti
 
Vol 20, No 1 (2014): Red Art: New Utopias in Data Capitalism Dissent and Utopia: Rethinking Art and Technology in Latin America Abstract   PDF
Valentina Montero Peà±a, Pedro Donoso
 
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